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Description

☛ Vajradhara: Description
Shakyamuni Buddha appeared in this world with the sole purpose of benefitting all sentient beings. Out of great compassion Lord Buddha revealed many different means/paths to enlightenment and set forth three Wheels of Law to suit varying degrees of intelligence and receptivities.
Shakyamuni Buddha himself was, it is said, in the form of Vajradhara while he was teaching tantric path to his gifted disciples.
Vajradhara is depicted holding a Vajra and a bell in his left hand and his arms are kept crossed in front of him expressing complete integration of Prajna and Upaya. He is usually depicted in blue colour in vajraparyanka posture. He has a crown, an Urna and an Ushnisha as a Sambhogakaya Buddha. Vajradhara is also depicted in father-mother (Anju-Aji in Newari) aspect. en he holds his usual symbols while his arms are crossed at the back of his consort. the consort is none other than Prajnaparamita in deified form.
The Kargyudpa lineage of Tibetan Buddhism begins with the Buddha Vajradhara. The individual in this tradition is allowed to visualize his root Guru as Buddha Vajradhara. Guru Tilopa is said to have received Mahamudra instruction directly from Buddha Vajradhara through visions and other extraordinary means.
In Nispannayogavali, Vajradhara is the main deity in Vajrasattvamandala. He is three faced, six-armed and reddish white in color. His right arm holds a vajra, a sword and a kapala and his left hand holds a bell, an ankush and a noose. He stands in the Ardhaparyanka posture and dances in Tandava style.

☛ What is master Quality?
The attribute of “master quality” distinguishes the Vajradhara as an embodiment of extraordinary craftsmanship and artistic excellence. This exceptional piece is directly handcrafted by an artist or craftsman of the highest categorization, reflecting their unparalleled skill and expertise. The uniqueness of Vajradhara lies in its exclusivity to the artist, making it a rare find with nearly impossible chances of finding an identical piece in the same category. While copies may exist, they can never truly replicate the essence of the original, as an artist or craftsman capable of creating such exceptional artistry would prefer to showcase their own creative vision rather than reproduce another’s work.

☛ Partly Gold plating.
This Vajradhara has a Partly gold-plated finish. Partly fire gold gilding, a common practice in Nepali handicrafts. This technique is skillfully employed by artisans to create intricate designs on various metal objects, including statues, jewelry, and decorative items. Through a process, a mask or resist is applied to safeguard specific areas from the gold plating. The object is then subjected to high temperatures, allowing the gold to beautifully adhere to exposed surfaces using a combination of heat and pressure.
In the realm of Buddhist statues, this technique holds additional significance as it distinguishes the golden-plated body from the oxidized or maroon-painted clothing. This visual separation conveys the contrast between the divine purity of the body and the modest attire symbolizing the humble lifestyle of Buddhist monks. The partly fire gold gilding not only adds exquisite detail and elegance but also embodies the deep cultural and spiritual meaning associated with these treasured artifacts.

☛ Gold Painted Face
The face of Vajradhara is painted with gold to enhance its significant features, particularly the eyes, and lips. This detailed painting is essential as it brings forth the crucial attributes of the expression of eyes and lips that metal carving alone cannot capture.
Moreover, the painted face serves as a symbolic and sacred ritual in Buddhism, preparing the statue for consecration and practice. The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence. The application of gold on the face showcases the devotion and craftsmanship of the artisans, ensuring that every detail is carefully attended to honor the sacred essence of the Vajradhara.

☛ Lost-Wax System
This Vajradhara is made by the process of the Lost-Wax system. The lost-wax process, also known as investment casting, is a time-honored technique used to create metal sculptures. It involves several steps that have been practiced for thousands of years. Skilled artisans begin by sculpting a detailed wax model, capturing every intricate detail of the desired sculpture. The wax model is then coated with a ceramic shell, formed by multiple layers of ceramic material. Once the shell has cured, the wax is melted and drained out, leaving behind a cavity. Molten metal is poured into the cavity, creating a precise replica of the original wax model. After the metal has cooled and solidified, the ceramic shell is carefully removed, revealing the final metal sculpture.