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☛ TIBETAN WOODEN SUPPLIES:
This Wooden Tibetan Chest of Drawers is 100% Nepali handmade product. It is manufactured by our manufacturing partners using high quality material and skilled labor. We are a strong believer and follower of fair trade. Hece the manufacturer we appoint to make these product also has practices fair-trade, Without using any child labor, or underpaid employees.

☛ ABOUT THANGKA COLOR FINISHING: This Wooden Product is painted using tradition thangka colors. Coloring the altar in this style is a tradition process of making Wooden Altar exact to the traditional color description.
For making the product in this finishing we use organic colors, real gold and a professional thangka artist Mainly Mrs, Rita Shakya. She is a professional face painter for our collection.

☛*UNIQUE PIECES: Since the items are completely Handmade & Handpainted, Evey piece has different design and there will be some variations in the given decorations details.*

☛DOUBLE DORJE:
The double vajra or crossed vajra is formed from four lotus-mounted vajra heads that emanate from a central hub towards the four cardinal directions and symbolizes the principle of absolute stability. In the cosmographic description of Mount Meru a vast crossed vajra supports and underlies the entire physical universe. Similarly in the representation of the mandala, a vast crossed vajra serves as the immovable support or foundation of the mandala palace and here the central hub of the vajra is considered to be dark blue in color with the four heads colored to represent the four directions- white (East), yellow (South), red (West) and green (North). These also correspond to the five elements and the buddhas of the five families with blue Akshobhya in the center.

☛ENDLESS KNOT:
The endless knot or eternal knot (Sanskrit: śrīvatsa; Tibetan དཔལ་བེའུ། dpal be’u; Mongolian Улзии) is a symbolic knot and one of the Eight Auspicious Symbols. It is in important symbol in both Jainism and Buddhism. It is an important cultural marker in places significantly influenced by Tibetan Buddhism such as Tibet, Mongolia, Tuva, Kalmykia, and Buryatia. It is also sometimes found in Chinese art and used in Chinese knots.
In Jainism it is one of the eight auspicious items, an asthamangala, however found only in the Svetambara sect. It is often found marking the chests of the 24 Saints, the tirthankaras. It is more commonly referred to as the Shrivatsa.