Negozio

Description

☛ SIMHAMUKHA YOGINI:
Simhamukha or Senge Dongma can be translated into English as Lion-Faced Dakini. According to the Indian traditions followed by the Sarma schools, the dakini Simhamukha is a tutelary deity arising out of the Chakrasamvara cycle of Tantras and belongs to the Anuttarayoga ‘wisdom’ classification. The Sarma schools’ Simhamukha is unrelated to the deity of the same name and appearance which arose in the later indigenous Tibetan Nyingma ‘terma’ (treasure) traditions, where she is regarded as the secret form of Guru Rinpoche (Padmasambhava). According to the Nyingma school, this dakini and female tantric Buddha is the principal dakini teacher and one of the principal fierce manifestations of Padmasambhava, the 8th Century mahasiddha, claimed to be the founder of the same school. As such, she is connected with many ceremonies of the Dzogchen tradition. A fierce dakini, she is also one of the Phramenma, a group of female deities from the Bardo Thödol, or ‘Tibetan Book of the Dead’. The female lama Jetsun Lochen (1865- 1951) founded a Simhamukha practice lineage.

☛ LOST-WAX SYSTEM:
This Simhamukha Yogini is made by the process of the Lost-Wax system. The lost-wax process, also known as investment casting, is a time-honored and technique used to create metal sculptures. It involves several steps that have been practiced for thousands of years. Skilled artisans begin by sculpting a detailed wax model, capturing every intricate detail of the desired sculpture. The wax model is then coated with a ceramic shell, formed by multiple layers of ceramic material. Once the shell has cured, the wax is melted and drained out, leaving behind a cavity. Molten metal is poured into the cavity, creating a precise replica of the original wax model. After the metal has cooled and solidified, the ceramic shell is carefully removed, revealing the final metal sculpture.

☛ FULL FIRE GOLD PLATING:
This Simhamukha Yogini is finished with full gold plating. also known as mercury gold plating or fire gold plating. This traditional technique involves the application of a genuine layer of gold onto the Simhamukha Yogini. Referred to as mercury gold plating, it is considered the correct and authentic form of gold plating in Nepal. Despite being more expensive than electroplating, this traditional mercury gold plating is gaining popularity again in Nepal. People are drawn to its authenticity, longevity, and the unmatched beauty it brings to the Simhamukha Yogini. The resurgence of interest in this traditional form of gold plating reflects a growing appreciation for the craftsmanship and cultural heritage of Nepal

☛ GOLD PAINTED FACE:
The face of Simhamukha Yogini is painted with gold to enhance its significant features, particularly the eyes, and lips. This detailed painting is essential as it brings forth the crucial attributes of the expression of eyes and lips that metal carving alone cannot capture.
Moreover, the painted face serves as a symbolic and sacred ritual in Buddhism, preparing the statue for consecration and practice. The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence. The application of gold on the face showcases the devotion and craftsmanship of the artisans, ensuring that every detail is carefully attended to in order to honor the sacred essence of the Simhamukha Yogini.