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55cm Master Quality Padmasambhava

 12,500.00

☛ 55CM Padmasambhava, Buddhist Handmade Statue With Double Base, Guru Rinpoche, Fully Gold Plated, Stone Setting With Face Painted, Master Quality, Handmade in Nepal
â–« Item Code: LBDN 30763
â–« Weight: 11488 Grams
â–« Size CM: 55 x 38 x 29
â–« Material: Copper
â–« Availability: Available

1 in stock

Description

☛ Padmasambhava: Brief Introduction
Padmasambhava was a historical teacher who is said to have converted Tibet to Buddhism. He was a renowned scholar, meditator, and magician, and his mantra suggests his rich and diverse nature. Padmasambhava Means The Lotus-Born, was a sage guru from Oddiysna who is said to have transmitted Vajrayana Buddhism to Bhutan and Tibet and neighboring countries in the 8th century. In those lands, he is better known as Guru Rinpoche (“Precious Guru”) or Lopon Rinpoche, or, Padum in Tibet, where followers of the Nyingma school regard him as the second Buddha. He said: “My father is the intrinsic awareness, Samantabhadra. My mother is the ultimate sphere of reality, Samantabhadri. I belong to the caste of non-duality in the sphere of awareness. My name is the Glorious Lotus-Born. I am from the unborn sphere of all phenomena. I consume concepts of duality as my diet. I act in the way of the Buddhas of the three times.”

☛ What is master Quality?
The attribute of “master quality” distinguishes the Padmasambhava as an embodiment of extraordinary craftsmanship and artistic excellence. This exceptional piece is directly handcrafted by an artist or craftsman of the highest categorization, reflecting their unparalleled skill and expertise. The uniqueness of Padmasambhava lies in its exclusivity to the artist, making it a rare find with nearly impossible chances of finding an identical piece in the same category. While copies may exist, they can never truly replicate the essence of the original, as an artist or craftsman capable of creating such exceptional artistry would prefer to showcase their own creative vision rather than reproduce another’s work.

☛ Finishing: Stone Setting
The Padmasambhava is adorned with an exquisite array of semi-precious stones, including turquoise, coral, and lapis lazuli. These stones are carefully selected and meticulously placed on the Padmasambhava’s surface, adding a touch of opulence and enhancing its overall beauty. Each stone is thoughtfully positioned using a high-quality adhesive, ensuring secure and long-lasting attachment. The vibrant colors and unique patterns of the stones create a captivating contrast against the backdrop of the Padmasambhava, elevating its visual appeal and making it truly eye-catching.

☛ Gold Painted Face
The face of Padmasambhava is painted with gold to enhance its significant features, particularly the eyes, and lips. This detailed painting is essential as it brings forth the crucial attributes of the expression of eyes and lips that metal carving alone cannot capture.
Moreover, the painted face serves as a symbolic and sacred ritual in Buddhism, preparing the statue for consecration and practice. The act of painting the face with gold in Buddhism holds deep meaning. It represents the intention to bring life and expression to the statue, imbuing it with a sense of vitality and presence. The application of gold on the face showcases the devotion and craftsmanship of the artisans, ensuring that every detail is carefully attended to honor the sacred essence of the Padmasambhava.

☛ Full Fire Gold Plating
This Padmasambhava is finished with full gold plating. also known as mercury gold plating or fire gold plating. This traditional technique involves the application of a genuine layer of gold onto the Padmasambhava. Referred to as mercury gold plating, it is considered the correct and authentic form of gold plating in Nepal. Despite being more expensive than electroplating, this traditional mercury gold plating is gaining popularity again in Nepal. People are drawn to its authenticity, longevity, and the unmatched beauty it brings to the Padmasambhava. The resurgence of interest in this traditional form of gold plating reflects a growing appreciation for the craftsmanship and cultural heritage of Nepal

☛ Lost-Wax System
This Padmasambhava is made by the process of the Lost-Wax system. The lost-wax process, also known as investment casting, is a time-honored technique used to create metal sculptures. It involves several steps that have been practiced for thousands of years. Skilled artisans begin by sculpting a detailed wax model, capturing every intricate detail of the desired sculpture. The wax model is then coated with a ceramic shell, formed by multiple layers of ceramic material. Once the shell has cured, the wax is melted and drained out, leaving behind a cavity. Molten metal is poured into the cavity, creating a precise replica of the original wax model. After the metal has cooled and solidified, the ceramic shell is carefully removed, revealing the final metal sculpture.

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Additional information

Weight 11488 kg
Dimensions 38 × 29 × 55 cm

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