Negozio

Description

☛ Marici: Brief Introduction
Marici, in Mahayana and Vajrayana Buddhism, is a deva or bodhisattva associated with light and the sun. She is known as Molizhitian (摩利支天) or Molizhitian Pusa (摩利支天菩萨) in China, Marishi-ten (摩利支天) in Japan, and ozer Chenma (Wylie: od zer can ma) in Tibet. She is one of the 20 (or 24) Celestials (二十/二十四諸天). In Taoism and Chinese folk religion, Marici is known under the epithet Doumu (Chinese: 斗母元君; pinyin: Dǒumǔ Yuanjūn), a name sometimes used by Buddhists.
Marici is usually depicted in one of the following ways:
As a beautiful woman on an open lotus, the lotus itself sometimes perched on the back of seven sows.
As a ferocious wrathful deity perched on the back of a boar.
Riding a fiery chariot pulled by seven savage boars or sows.
As a multi-armed woman with a different weapon in each hand standing or sitting on the back of a boar.
She has been depicted with one, three, five or six faces and two, six, eight, ten or twelve arms; three eyes; in her many-faced manifestations one of her faces is that of a sow.

☛ About Elector Gold Plating
This Marici has been finished with a Full Electro Gold plated coating. Electro gold plating is a contemporary technique used to apply a layer of gold onto various surfaces. The process involves the use of an electric current to deposit a thin and even layer of gold onto the object being plated. This method is known for its efficiency and cost-effectiveness compared to traditional fire gold plating techniques.

☛ Ceramic Molding System
The Marici has been crafted using the Ceramic mold casting process, a modern approach that provides an alternative to traditional methods such as the lost-wax system or rubber molding. Also referred to as ceramic molding, this technique involves the creation of a ceramic mold to cast the statue. The process begins by making a precise and detailed wax model of the desired sculpture. The wax model is then coated with layers of ceramic material, creating a sturdy mold. Once the mold is complete, it is fired in a kiln, causing the wax to melt and escape, leaving behind a cavity that perfectly replicates the original sculpture. Molten metal is then poured into the mold, allowing it to fill the cavity and take on the desired form. Once cooled and solidified, the ceramic mold is carefully broken away, revealing the final metal statue.